Blues, Canadian, Country, Folk, Listen, Music, Pop, Roots


No Comments 15 August 2014

by Mark Anthony Brennan

A manic rockabilly number from Petunia and the Vipers. “Runaway Freight Train Heart” is from ‘Inside of You’, an old-time carnival of an album filled with wonder, delight and weirdness.

Blues, Canadian, Country, Listen, Music, Roots


No Comments 14 August 2014

by Mark Anthony Brennan

The Reverend Rambler is, for the most part, a storm-in-a-bottle one man show. However, he kicks up enough dust for an entire stampede. It’s hard to believe this dude is from Winnipeg ‘cos his brand of stompin’ country blues sounds like it came right out of the swamps of Louisiana or maybe the Texas prairie. The Reverend plays this rootsy brew with the respect it deserves, but there’s a cowpunk attitude lurking in the mix. And you gotta love that cover illustration!

Acoustic, Canadian, Country, Folk, Interviews, Jazz, Roots


No Comments 13 August 2014

by Mark Anthony Brennan

IMG_5479_1 Copying

I caught up with West My Friend, or most of them anyway, at the tail end of a practice. They were rehearsing for an appearance that night at the Solstice Café, a concert that I was lucky enough to catch. Bass player Adam Bailey was sick that day, but I chatted with Eden Oliver (vocals, acoustic guitar), Alex Rempel (mandolin, vocals) and Jeff Poynter (accordion, vocals):

What is West My Friend all about?
EO: We like having a band that plays acoustically, which focuses on the timbre of the instruments and how they combine in complex ways. It’s not a traditional group of instruments. It’s not what you’d expect. A lot of people look at our line-up and think ‘blue-grass’ but it’s not.
JP: Someone said we were a pop band disguised as a folk band. But it’s really not pop.
EO: No, it’s quirkier than pop. Quirky. That term is haunting us.

How did you get together?
EO: Jeff and Alex have known each other since grade one in Langley. Then they came over here to go to UVic. I was just leaving UVic at the time. All of us were in music school. We met through a mutual friend. They’d been in a band with her and I’d been in a band with her.
JP: Both bands came to an end at the same time. So we were all sort of looking for a new band, without knowing it. It came to us in a dream.
EO: There was originally another female singer-songwriter, but she eventually left to join a funk band. So we picked up a bass player and then solidified our sound. We each picked one instrument and focused on it, because sound guys hated it when we came on stage with our gazillion instruments.
JP: Yeah, also it was difficult for us to get to shows because none of us owns a car. So we would have to buck all these instruments.
EO: Alex has a degree in bass, Jeff has a degree in saxophone, and I have a degree in flute. So we’re multi-instrumentalists by virtue of the fact that none of us play our main instrument.
AR: We have to be or else we’d be screwed.
EO: Yes, [laughs] or else we’d be a bass, saxophone and flute pop band.
AR: I don’t know that I’d even wanna go see that! We wouldn’t enjoy it as much. I’m not into that personally.

Did your music evolve naturally?
JP: Yes. We’ve never sat down and said, “This is the sonic direction we want to go in.” It just happened.
EO: At first we definitely experimented quite a bit, but for the last three years or so we’ve been operating from the same basis. Not that we’ve made a decision that it has to be this.
AR: I feel like we’ve got to the point where we think, “This is nice. I really like the stuff we’re making now.”
JP: It’s hard to define the genre though.
EO: Yeah, there’s jazz and classical. Funk. A blue-grass influence. I listen to a lot of indie.
AR: We’re like a big crock-pot that’s been going for a few years. The potatoes were all hard and weird at first, but then you come back about a week later and, hey, how about that?
JP: Recording has helped us with our sound, because when you sit down to record you have to go, “OK, how do we want this to sound?”.
EO: Yes, and it’s helped with the arrangement of the parts. How the four voices of our instruments interact. It’s gotten more complex.
AR: Adrian and Joby [producers Adrian Dolan and Joby Baker] have certainly helped with where our music’s going. We are now more conscious of how we are putting songs together. There is certainly still a jammy aspect when we first start a song but when we are live we are not a jam band. That’s because when we are writing a song we are thinking about how these lines fit together.
JP: We play festivals and quite often a whole group of musicians get together and just play. Some bands, their music is good to jam to, but ours…
EO: [Laughs] No one wants to play our songs.
JP: They’re both good kinds of music. Our music just too unpredictable, I guess.
AR: We can be a bit esoteric at times.

Was there any change from the first album to the second album?
EO: We’ve added brass. Trumpet, trombone. Also, on one song there is a mini orchestra.
JP: The songwriting is more mature. In the past couple of years we’ve tightened up more. This is album is more cohesive.
AR: We’ve just been writing more material. When you write more you get a better idea of what works and what doesn’t work. The whole process was more intentional this time. From what I recall of that blurred several months.
JP: We always allow lots of time for these things, but once you get there it’s not enough time.
AR: Never enough time. Welcome to life. The human condition. Glaring mortality at every corner.

In the song “When the Ink Dries” there is a cautionary message. Is this something new to your music?
EO: We are all socially conscious and that inevitably comes out.
JP: And there is more of that on this album than the last. It is one of the themes on this album. But it’s not all cautionary, it’s not all environmental.
EO: Some of it is celebratory, like “The Cat Lady Song”. Part of developing as a songwriter for me has been learning how to write about things that I care about without being preachy or being corny.
AR: In terms of the songs having a social conscience I think I am doing that more. I don’t necessarily think that I have to make a statement, but everyone has a position or a point of view but not everyone gets the chance to put them out there or have them heard, so I think there is some sense of obligation that I have this opportunity then I should use it, at least some of the time, to say what I think ought to be said. But not too “up front”.
EO: Or forget about the music. That’s the way I look at it, I’m still making music. I’m not here to stand on a soapbox. We like music.
JP: We do it because we love music, not to get a message across.

What do people like about your music?
JP: The unconventionality of it. Some people say they weren’t a fan the album the first time they heard it, but after two or three listens they got into it way more.
AR: What did the BBC in Scotland say, “If it’s not too convoluted for its own good, it might just catch on”?
EO: Yes, that’s what they said about “The Cat Lady Song”.
JP: That’s the thing, it may take repeated listens before people like it.
EO: I know that people who like our music really like it. And children too, children really like it.
JP: Maybe it’s an acquired taste.

The future, where are you guys going from here?
EO: More. Better.
AR: More shows, better shows. That seems to be the mantra with the band.
JP: More “listening” audiences, not so much bar audiences. We may still do one or two bar dates on tour, because they’re fun and we need to fill those dates, but our preference is definitely, you know, sit down and hear. We are also spending more time touring this year. Hopefully get to the UK.
AR: We are getting to the point where we’re thinking, “Oh, man, this could be a viable full-time thing.” Which would be awesome. For me it is just the best time of the year when we get to go on tour.
JP: We are just now starting to pay ourselves back after almost five years. In the past we were paying off an album or paying off expenses. So for the future, yeah, making it more of a career.
EO: We’re doing more stuff with schools too. It’s nice to bring our music into schools and do workshops. Our music is from the “real” world. It’s not kids’ music, but kids like it. It’s mostly songwriting workshops. In one school we actually taught them one of our songs.
JP: There was one guitar class and a choir, so there was like 30 guitars and 30 singers doing our songs.
EO: It was awesome! [Laughs] It was so metal.
AR: For me, the music that I am writing now is what this band wants to play. So, yeah, let’s keep doing it.

Any final words?
AR: Do you know anyone who’s selling a van that’s already converted to biodiesel?
EO: So far we’ve always borrowed or rented a van. We all bike. In fact, we are going on a biking tour end of August. We taking our instruments and gear with us. It’s all farms and breweries. Up to Nanaimo and the Gulf Islands. Obviously, in future we will do tours with vehicles and so we’re trying to find more sustainable ways to do that. We did a public transit tour once!

Blues, Canadian, Classic Rock, Concert Reviews, Country, Electropop, Folk, Music, Psychedelic, Roots


No Comments 10 August 2014

by Mark Anthony Brennan

Photo by Sean Brennan

The 9One9 Club in Victoria was abuzz with anticipation Saturday night (August 9th) as both Noah Edwards and Isobel Trigger were set to debut their new CD’s, and Jesse Roper was invited along to join in the festivities. Continue Reading

Alternative, Canadian, Country, Folk, Listen, Music

[Listen] Bahamas- Little Record Girl

No Comments 08 August 2014

by Tiana Feng


On Tuesday, I had the pleasure of listening to Bahamas play an intimate session of new tunes from his upcoming album Bahamas is Afie at the CBC studios. “Little Record Girl” is the latest reveal from the album. It’s a song about falling in love with something and then realize you don’t like it so much when it gets popular. You know, kinda like how we’re all hipster about music?

Bahamas is Afie is out August 19th.

Canadian, Country, Folk, Listen


No Comments 07 August 2014

by Mark Anthony Brennan
twin peaks

A delightful folk country number by Twin Peaks. No, not the creepy TV show, but the duo of Lindsay Pratt and Naomi Shore from the northern community of Fort St. John.

Acoustic, Canadian, Country, Folk, Listen, Music, Pop


No Comments 02 August 2014

by Mark Anthony Brennan
fox glove

The all-female trio, Fox Glove, brew a rootsy mix of folk, alt country and pop they like to call “Fox Pop”. I just call it great.

Alternative, Canadian, Country, Folk, Listen


No Comments 01 August 2014

by Mark Anthony Brennan
electric oak

Ever wonder how it would have sounded if Kurt Cobain had formed a folk rock band instead of a grunge band? Electric Oak give you some idea on their song “Broken”.

Acoustic, Canadian, Country, Folk, Listen, Roots


No Comments 30 July 2014

by Mark Anthony Brennan
tomat tomato

Been on a bit of a New Brunswick kick lately. Here’s another one from the bluegrass folk duo (and married couple) Tomato/Tomato.

Acoustic, Canadian, Country, Folk, Listen, Music, Punk, Roots


No Comments 28 July 2014

by Mark Anthony Brennan
Tarnidhed gold

“Seasick” by The Seahags? A shanty from Cape Breton, no doubt? Hardly. It’s actually some cowpunk from Saskatchewan. No matter — it’s good old rootsy fun regardless.

Alternative, Canadian, Country, Folk, French, Listen, Music

[Listen] Les soeurs Boulay- Ça

No Comments 27 July 2014

by Tiana Feng
Les Soeurs Boulay have a cute single out called “Ça”. It’s so beautifully simple.

Blues, Canadian, Country, Folk, Jazz, Listen, Pop


No Comments 26 July 2014

by Mark Anthony Brennan

Jay Pollock’s new album is as bright and colourful as the titular sunflowers on the cover. He breezes through a set of rootsy but contemporary songs, and incorporates blues, country, folk and jazz with seeming ease. Most satisfying is the nice fat sound that you can really sink your teeth into. Highlighted is “Circus”, a rather whimsical song with a touch of southern funk.

Canadian, Country, Folk, Listen, Pop, Singer/songwriter


No Comments 19 July 2014

by Mark Anthony Brennan

Evan Bourque’s brand of country/folk rock is lively and infectious. He was the Zone 91.3 (Victoria) “Band of the Month” for March, 2014 and rightly so.

Canadian, Country, Folk, Listen, Music, Under 2000


No Comments 09 July 2014

by Mark Anthony Brennan
Hawk and Steel

‘Year After Year’ is Side B of the Snoqualmie / Hawk and Steel Split 7 Inch record (out 08/08/2014). A lovely, soft slice of alt-country folk rock.

Alternative, Canadian, Country, Folk, Music, Watch

[Watch] Tim Moxam- Blue Son

No Comments 01 July 2014

by Tiana Feng

Hope you are enjoying cottage country like Tim Moxam in his video for “Blue Son”.

Page 1 of 712345...

Welcome to our little hub of Canadian music, where we talk about Canadian music we love as well as cover concerts (national & international) and festivals in different provinces to give you a glimpse of the scene up north.

Ride the Tempo Newsletter

Stay up to date with news, concerts, contests and more!

Drop us a track:

All music is posted for promotional purposes. Most have been PR/artist approved or found on their official sites. If you want something removed, let us know and we will ASAP.

Not all songs are up forever. Some are only available for a limited time.

Album Rating System:

We don't post music we don't like so here is a short explanation of our star system.

Awesome/Breaking New Ground
Excellent/Album of Year
Meh, but few good songs


Sister Sites

The Archives

Whatcha Feelin’?

© 2014 Ride The Tempo – A Canadian Music Blog. Powered by WordPress.

Daily Edition Theme by WooThemes - Premium WordPress Themes Modified by Tiana Feng