With contemporaries like Mumford & Sons and Ben Howard, you would think that Bear’s Den must be doing something right. The British alt-folk trio were in town this past Friday for a sold out show at the Mod Club. Continue Reading
by Tiana Feng
I was photographing Tei Shi for Exclaim! that night and my friend Melody wrote a splendid review over here. You can view the entire photoset here:
Since Melody’s review doesn’t really mention Seoul, I thought I’d write a few words. The band is the latest addition to Last Gang Record’s roster. On stage they sounded less electronic than their previously released tracks. Their dreamy, shoegaze atmosphere was ruined by the fact that their bass was turned to teeth chattering levels. I really hope that’s something that was the venue’s fault, and not of the band.
by Ani Hajderaj
Sensation is back in Toronto! The Rogers Centre will become a large dance floor filled with production of epic proportions and everyone will be dressed in all white for it.
ID&T have been organizing Sensation parties for many years and they always deliver a top notch experience for dance music fans around the world. Last year’s Sensation was a success and this year it’s coming back and it will top the experience. The production will feature dancers and a giant snake structure surrounding the arena for the “Into The Wild” experience.
The DJs featured in this event are Mr. White, Baggi Begovic, Eric Prydz, Afrojack and Bingo Players. This is definitely where you want to be if you’re a fan of big room house music. Tickets are on sale here: http://www.ticketmaster.com/Rogers-Centre-tickets-Toronto/venue/131114. See you at the Rogers Centre for Bud Light Sensation on November 29!
I remember my mom telling me not to stick it out so much, although it was mainly when I was concentrating in school or playing soccer. Generally it happened when I was putting in work, meaning that I was giving it my all.
Danny Brown puts in WORK.
by Riaz Charania / Photos by Michael Silvestre
Halfway through the Mozart’s Sister show someone from the crowd exclaimed, “Your music is awesome!”, a moment of spontaneity that rang completely true. Sure talking about the halfway point of a set may be an odd way to start a review, but walking into the sparsely attended venue thirty minutes prior, I had no idea that my mind was about to be blown.
by Marcel Stromeiher / Photo by Michael Silvestre
Most People are actually two people, Brandon Gibson-DeGroote and Paul McEachern. Both are bearded fellows whose electro-indie pop locates that sweet spot between sincere, nostalgi,c longing and unabashed exuberance.
Hailing from Burlington and now Toronto based, the duo have been steadily and confidently carving out their own place in the city’s music scene for a few years, including a fruitful relationship with Wavelength Music. Continue Reading
Sublime, sincere, spirited and self-assured. That’s my immediate description of the Against Me! show, and of them as a band. Sure that heavy use of alliteration is the written equivalent to someone who loves sugar eating something ‘too’ sweet, but there’s no other real around the fact that they are all of those things.
This is not just a show review, but a small a story of a band who went to Halifax and made a big impact on many during their time there. Continue Reading
As we walked into the venue, escaping the whipping wind and rain, I realized that the weather wasn’t the only unsettled part of this night. A restless all-ages crowd, many of which proudly donned their Wu-Tang apparel, brewed with equal parts frustration and excitement. “Boos” turned to “WUs” and then back again.
Suddenly there was life. An Al Bundy-esque couch was brought onto stage which could only mean two things: either it was a resting place for the security who were spent trying to calm some people in the crowd down, or the show was about to begin. Thankfully for everyone, it was the latter.
Ghostface Killah and Raekwon stepped on stage and the pent-up energy from the crowd was finally fully realized, W’s were thrown up.
by Tiana Feng
After what was literally 20 years, UK’s Slowdive returned to Toronto last night putting on a stellar performance at the Danforth Music Hall. Opening the night Minnesota’s Low. Check out the photo gallery below:
Last night, Lee’s Palace was infused with Icelandic musical flavours courtesy of Asgeir. Seemed like an ideal companion for many on a chilly night in early October.
Low Roar captivated the usually restless crowd during openers. There was absolute silence for the entire set, with no banter until the last song. Project of singer-songwriter Ryan Karazija (ex- Audrey Sessions), there was a certain cinematic and grandiose element to the songs ideal for listens during dark foggy nights. Karazija’s wailing falsettos never hit a false note, as the haunting melodies helped by eccentric synth patterns and electronic percussion all pieced together to establish a serene ambience. The set didn’t have the expected pauses. This was a bit puzzling for the crowd, unaware when to howl in appreciation. But, with such enthralling music, pausing for talk is more of an unnecessary interruption. Karazija and crew exited to encore chants. Not too shabby for a Toronto debut.
The evening of subdued melodies continued as Asgeir cozied the nippy venue with lush falsettos supported by a stellar crew of musicians collectively part of Asgeir Trausti band. Gaining initial fame for his Icelandic debut, the 22-year-old bearded songster announced his bilingual intentions at the start, much to the roaring delight of those wanting to hear from both Dýrð í dauðaþögn and the English translated In The Silence. After all, Asgeir’s gentle serenade is the real star. Voice that has the maturity of Justin Vernon or JVM, the fairly reserved Nordic star excelled both during acoustic gems ‘Summer Guest’ and the viral cover of Nirvana’s ‘Heart Shaped Box’ or louder jams ‘Torrent’ and the hit single ‘King and Cross’.
Impressive live performances can only further Asgeir’s widespread acclaim. If last night’s rowdy reception is any indication, the Icelandic star is all set to be the next successful musical export
Toronto is a resilient city. Instead of sulking in the disappointment that was Nuit Blanche on Saturday, hordes came out to the ‘Shoe for an evening of crunchy west-coast rock courtesy of Current Swell.
Theatre Crisp had an admirable consistent peppy energy as the venue was gradually filling up. Bringing their brand of ‘funk-hop’, the Niagara-based band played their unique cross genre of ska, funk and hip-hop. Fedora-adorning frontman humbleHAB was equally stellar as emcee and singer, impressing during A Tribe Called Quest and Jack Johnson covers. David Cox, tap dancer extraordinaire, was put to good use for percussion elements during brief ballad moments. Other times, Cox’ tapping sounds were understandably masked by instruments, appearing more to be a distraction. The band’s honest energy was particularly charming, as they ended the set with groovilicious ‘Suzie’.
Packed house on a Sunday night was apparently not the expectation from lads of Current Swell. Thankful for the roaring crowded reception, Scott Stanton and his buds from Victoria jumped right into their catalogue full of radio-friendly alt-rock tunes. What sets them apart is the varied mix of genres catering to your every music need. You have the funky & acoustic ‘Young and Able’ or nostalgic & folky ‘Long Time Ago’ or slide-guitar party jam ‘Rollin’, off the new release Ulysses. Newer material resonated even more with gems like ‘One Day I’ll Be Rich’ (move over, BNL!) or reflective ‘Man of Maps’. The hits never stopped comin, and there was barely a soul in the audience that wasn’t sweating along. Even Ghosty Boy shared his sentimental bliss. “Looked into the crowd during the song, and just the amount of beaming smiles back at me”, said the bassist, “made me realize it’s all worth it’. A true ‘awe shucks’ moment!
Humble and organic talent. That is word association for Current Swell. Doubt anybody would disagree with that. When you get to see them live, you would mostly like add ‘effing awesome’ to that list as well.
by Ani Hajderaj
Toronto fully embraces house and techno, but sometimes a little funk is lacking. The Hoxton was filled with funky variations of techno and house music with the French Express label showcase. The club was busy and not overly packed, making it a very enjoyable overall experience to be there. The Canadian PK Sound speakers are always a great feature inside The Hoxton as they really take a beating, but on that night things were a little more chilled out.
The night began with Moon Boots spinning his sounds then was followed by Isaac Tichauer who played one of the most fun house sets I’ve heard in a while! The night was ended by special guest Ben Pearce who played his signature tech house sound. Moon Boots had a chilled out set that really set the mood of what the label is about, which is how a house music event should be. Isaac Tichauer was a little more intense as he fused tech house with funk elements really well, I was thoroughly impressed! The night ended with Ben Pearce where the music was more about the tech house, it was a good way to close the night.
One thing I noticed was people were very into all the sets even though each DJ brought a different style to the table. I enjoyed watching people get into the funky beats especially. I was disappointed the party ended early but it was worth seeing all the sounds blend together so well throughout the night. I left The Hoxton feeling satisfied.
The Hoxton is a multipurpose venue but I felt that night the vibe of the party was perfect for the type of sound provided. Be sure to stay tuned with Embrace events for more great house music nights!