Album Reviews, Canadian, Electronic, Electropop, Music, Pop
by Mark Anthony Brennan
Release Date: September 17th, 2014
Up until now Hansmole (or Hannah van Adrichem, according to her driver’s licence) has been first and foremost a visual artist. So it comes as no surprise that she brings an artist’s aesthetic to bear when she turns her talents to music. None of the tracks on ‘Whitest Whiteness’ are simple in their structure, as each has been carefully composed with a vision in mind. Consider the song “Sunshine” with its contrasting elements (a recurring device throughout the record). There are light leopards on the surface with a sombre rhythm below, like a dark undercurrent in a babbling brook. Van Adrichem’s pleasant voice is offset by eerie, heavily processed backing harmonies. When she sings the refrain, “Sunshine“, it is cleverly accompanied by a burst of glittering synths, like the sun suddenly bursting forth from behind a cloud.